EDWARD STREET, BRISBANE, 2009Main Gallery “WITH SIMCITY THE METROPOLIS OF THE GLASSY TRANSPARENCY BECOMES ABSOLUTE – A VECTOR TO PURE ABSENCE”1.In this installment of Flashbacks, Chris Howlett continues to examine the way in which meaning is derived from a multiplicity of places, spaces and texts. By making apparent how these complex discursive practices complicate what … Continue reading Flashbacks, Metro Arts