New Work
The Host: Kitchen Studio
30th August to 28th October 2024, presented by Metro Arts and Brisbane Festival
Kitchen Studio is a place where sculpture, food and ideas are interchangeable and digestible. During the day we open our doors to those who are curious to explore the sculptural dining room. And when the sun sets, the artist steps into the kitchen to host a provocative sensory journey for an intimate group of guests.
To produce The Host, an introductory sequence was created along with another five separate scenes for the dining courses. These sequences were designed for the courses of …

The Host: Introductory Sequence (still image), Kitchen Studio, 2024,
High Definition, 1080x1920 (9:16, Portrait), 31.17mins, looped. Sound: Anna Whittaker
Artist Statement
My art practice merges interactive video, performance, sound art, site-specific sculpture, machinima, and painting to investigate how emerging technologies reshape our cultural and political relationships with the physical and psychological self. By blending 3D gameplay, interactive mods, video projections, and immersive installations, I construct speculative environments that interrogate the boundaries between reality and simulation. These spaces invite viewers to confront urgent questions: How do digital and physical worlds collectively mold identity? How do we navigate the political implications of these hybrid territories? And in a media-saturated age, what happens to dissent when even our modes of resistance are mediated by the systems we critique?
Through fragmented narratives and visceral sensory encounters, my work probes the paradox of technology as both a tool for liberation and a mechanism of control. It challenges audiences to reflect on how we perform, adapt, and negotiate power within increasingly algorithmic societies—and what might be lost (or gained) as the lines between body, memory, and interface dissolve.
Featured Article
Eyeline Article
Confronting Consensus: The Art and Politics of Christopher Howlett, written by Mark Webb & Mark Pennings
Issue 76, pg.38-47, 2012.
The restless Chris Howlett uses his art to energetically pursue a wide range of conceptually and politically focused projects in divergent mediums. He is in fact an exemplary multi-tasker in a post-medium world and …

Download the article here
Brisbane, Australia
Featured Work


In these digital works, I explore the term “Influencer”. In the context of online, these are content creators who are Bloggers, YouTubers, Podcasters, or Social Media Posters. These individuals’ have the power to affect the judgements of large groups of people and who regularly work with corporate interests to develop ideological messaging dressed up as self-interest. Their images are highly constructed, intra-personal saccharine, which are designed to connect the individual to their thoughts and emotions, but whose real objectives is to fetishize and sell, rather than spread information quickly for political aims.
Featured News
Inclusion in the 33rd European Media Arts Festival (EMAF) – First Person Plural
Osnabrück, Germany, 22 April 2020 – 30 May 2020
CONCEPT AND FESTIVAL MANAGEMENT Katrin Mundt, Hermann Noering, Alfred Rotert GUEST CURATORS: Inga Seidler (Exhibition), Isabel de Sena (Talks), Herb Shellenberger (Film Programme)
In contemporary media art, the “I” plays a prominent role: artists share their experiences, question their identity, address their relationship to the operating system of art, or explore individual and collective gestures of resistance and forms of self-organisation. At the same time,…

Group Exhibition: First Person Plural, 2020
Osnabrück, Germany
Connect with me on Vimeo
Featured Exhibits

above: Desert Storm Logic, 2018-19, 1-3 channel synched, HD video (16:9), Stereo, PAL. Duration: 08:11mins. The Block, QUT, Brisbane, Australia.
New Statements was a new media exhibition that showcased an installation of interactive, screen-based Machinima and sculptural works developed from 2016-19. This PhD practice–led research project explored the operations of a ‘techno-stice’ that demonstrated digital technology’s capacity to generate dissensual space in the form of new subjectivities and ethico-political perspectives in contemporary art …
Featured Video
These videos are components from previous works which incorporate multiple approaches to installation, performance, sculpture and online environments. Please visit my portfolio below:
above: New Statements, 2016-19, Video Documentation, The Block, QUT, Brisbane, Australia.
This is video documentation from a solo show at The Block, QUT from 2016-19, New Statements. The documentation takes a closer look at the 3D printed works, closeups of various sculptural elements and sections from the numerous video works which culminated in the ending of my PhD …